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Dragon And Emperor

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Flag of the Qing dynasty , — Flag of the Chinese Eastern Railway , — Flag of the Commissioner of Weihaiwei with the Chinese dragon in the center, — State emblem of Republic of China , — Chinese dragon was one of the supporters of the colonial arms of Hong Kong until Chinese dragon was holding a shield from the arms of Portugal in the colonial arms of the Government of Macau until The ancient Chinese self-identified as "the gods of the dragon" because the Chinese dragon is an imagined reptile that represents evolution from the ancestors and qi energy.

The coiled dragon or snake form played an important role in early Chinese culture. The character for "dragon" in the earliest Chinese writing has a similar coiled form, as do later jade dragon amulets from the Shang period.

Ancient Chinese referred to unearthed dinosaur bones as dragon bones and documented them as such. Fossilized remains of Mei long have been found in China in a sleeping and coiled form, with the dinosaur nestling its snout beneath one of its forelimbs while encircling its tail around its entire body.

The C-shaped jade totem of Hongshan culture c. Gilded-bronze handle in the shape of a dragon head and neck, made during the Eastern Han period 25— AD.

From its origins as totems or the stylized depiction of natural creatures, the Chinese dragon evolved to become a mythical animal.

The Han dynasty scholar Wang Fu recorded Chinese myths that long dragons had nine anatomical resemblances.

The people paint the dragon's shape with a horse's head and a snake's tail. Further, there are expressions as 'three joints' and 'nine resemblances' of the dragon , to wit: from head to shoulder, from shoulder to breast, from breast to tail.

If a dragon has no [ chimu ], he cannot ascend to the sky. Further sources give variant lists of the nine animal resemblances. The head of a crocodile.

A demon's eyes. The neck of a snake. A tortoise's viscera. A hawk's claws. The palms of a tiger. A cow's ears.

And it hears through its horns, its ears being deprived of all power of hearing. Chinese dragons were considered to be physically concise.

Of the scales, 81 are of the yang essence positive while 36 are of the yin essence negative. Initially, the dragon was benevolent, wise, and just, but the Buddhists introduced the concept of malevolent influence among some dragons.

Just as water destroys, they said, so can some dragons destroy via floods, tidal waves, and storms. They suggested that some of the worst floods were believed to have been the result of a mortal upsetting a dragon.

Many pictures of Chinese dragons show a flaming pearl under their chin or in their claws. The pearl is associated with spiritual energy, wisdom, prosperity, power, immortality, thunder, or the moon.

Chinese art often depicts a pair of dragons chasing or fighting over the flaming pearl. This description accords with the artistic depictions of the dragon down to the present day.

The dragon has also acquired an almost unlimited range of supernatural powers. It is said to be able to disguise itself as a silkworm , or become as large as our entire universe.

It can fly among the clouds or hide in water according to the Guanzi. It can form clouds, can turn into water, can change color as an ability to blend in with their surroundings, as an effective form of camouflage or glow in the dark according to the Shuowen Jiezi.

In many other countries, folktales speak of the dragon having all the attributes of the other 11 creatures of the zodiac, this includes the whiskers of the Rat , the face and horns of the Ox , the claws and teeth of the Tiger , the belly of the Rabbit , the body of the Snake , the legs of the Horse , the goatee of the Goat , the wit of the Monkey , the crest of the Rooster , the ears of the Dog , and the snout of the Pig.

In some circles, it is considered bad luck to depict a dragon facing downwards, as it is seen as disrespectful to place a dragon in such manner that it cannot ascend to the sky.

Also, depictions of dragons in tattoos are prevalent as they are symbols of strength and power, especially criminal organisations where dragons hold a meaning all on their own.

As such, it is believed that one must be fierce and strong enough, hence earning the right to wear the dragon on his skin, lest his luck be consumed by the dragons.

Chinese dragons are strongly associated with water and weather in popular religion. They are believed to be the rulers of moving bodies of water, such as waterfalls, rivers, or seas.

The Dragon God is the dispenser of rain as well as the zoomorphic representation of the yang masculine power of generation.

Because of this association, they are seen as "in charge" of water-related weather phenomena. In premodern times, many Chinese villages especially those close to rivers and seas had temples dedicated to their local "dragon king".

In times of drought or flooding, it was customary for the local gentry and government officials to lead the community in offering sacrifices and conducting other religious rites to appease the dragon, either to ask for rain or a cessation thereof.

The King of Wuyue in the Five Dynasties and Ten Kingdoms period was often known as the " Dragon King " or the "Sea Dragon King" because of his extensive hydro-engineering schemes which "tamed" the sea.

According to Chinese legend, both Chinese primogenitors, the earliest Door and the Yellow Emperor Huangdi , were closely related to 'Long' Chinese dragon.

At the end of his reign, the first legendary ruler, the Yellow Emperor, was said to have been immortalized into a dragon that resembled his emblem, and ascended to Heaven.

The other legendary ruler, the Yan Emperor, was born by his mother's telepathy with a mythical dragon. Since the Chinese consider the Yellow Emperor and the Yan Emperor as their ancestors, they sometimes refer to themselves as " the descendants of the dragon ".

This legend also contributed towards the use of the Chinese dragon as a symbol of imperial power. Dragons usually with five claws on each foot were a symbol for the emperor in many Chinese dynasties.

During the Qing dynasty, the imperial dragon was colored yellow or gold, and during the Ming dynasty it was red. During the late Qing dynasty, the dragon was even adopted as the national flag.

Dragons are featured in carvings on the stairs and walkways of imperial palaces and imperial tombs, such as at the Forbidden City in Beijing.

In some Chinese legends, an emperor might be born with a birthmark in the shape of a dragon. For example, one legend tells the tale of a peasant born with a dragon birthmark who eventually overthrows the existing dynasty and founds a new one; another legend might tell of the prince in hiding from his enemies who is identified by his dragon birthmark.

In contrast, the Empress of China was often identified with the Chinese phoenix. Worship of the Dragon God is celebrated throughout China with sacrifices and processions during the fifth and sixth moons, and especially on the date of his birthday the thirteenth day of the sixth moon.

Dragons or dragon-like depictions have been found extensively in neolithic-period archaeological sites throughout China. Some of earliest depictions of dragons were found at Xinglongwa culture sites.

Yangshao culture sites in Xi'an have produced clay pots with dragon motifs. A burial site Xishuipo in Puyang which is associated with the Yangshao culture shows a large dragon mosaic made out of clam shells.

The Hongshan culture sites in present-day Inner Mongolia produced jade dragon objects in the form of pig dragons which are the first 3-dimensional representations of Chinese dragons.

One such early form was the pig dragon. It is a coiled, elongated creature with a head resembling a boar. Chinese literature and myths refer to many dragons besides the famous long.

The linguist Michael Carr analyzed over ancient dragon names attested in Chinese classic texts. Fewer Chinese dragon names derive from the prefix long Chinese scholars have classified dragons in diverse systems.

For instance, Emperor Huizong of the Song dynasty canonized five colored dragons as "kings". Further, the same author enumerates nine other kinds of dragons, which are represented as ornaments of different objects or buildings according to their liking prisons, water, the rank smell of newly caught fish or newly killed meat, wind and rain, ornaments, smoke, shutting the mouth used for adorning key-holes , standing on steep places placed on roofs , and fire.

Each coin in the sets depicts one of the 9 sons, including an additional coin for the father dragon, which depicts the nine sons on the reverse.

Early Chinese dragons are depicted with two to five claws. Different countries that adopted the Chinese dragon have different preferences; in Mongolia and Korea, four-clawed dragons are used, while in Japan , three-clawed dragons are common.

The Hongwu Emperor of the Ming dynasty emulated the Yuan dynasty rules on the use of the dragon motif and decreed that the dragon would be his emblem and that it would have five claws.

The four-clawed dragon would be used typically for imperial nobility and certain high-ranking officials.

The three-clawed dragon was used by lower ranks and the general public widely seen on various Chinese goods in the Ming dynasty.

The dragon, however, was only for select royalty closely associated with the imperial family, usually in various symbolic colors, while it was a capital offense for anyone—other than the emperor himself—to ever use the completely gold-colored, five-clawed Long dragon motif.

Improper use of claw number or colors was considered treason, punishable by execution of the offender's entire clan. During the Qing dynasty , the Manchus initially considered three-clawed dragons the most sacred and used that until when it was replaced by five-clawed dragons, and portraits of the Qing emperors were usually depicted with five-clawed dragons.

In works of art that left the imperial collection, either as gifts or through pilfering by court eunuchs a long-standing problem , where practicable, one claw was removed from each set, as in several pieces of carved lacquerware , [38] for example the well known Chinese lacquerware table in the Victoria and Albert Museum in London.

The number nine is special in China as it is seen as number of the heaven, and Chinese dragons are frequently connected with it. This is also why there are nine forms of the dragon and there are 9 sons of the dragon see Classical depictions above.

The Nine-Dragon Wall is a spirit wall with images of nine different dragons, and is found in imperial Chinese palaces and gardens.

Because nine was considered the number of the emperor, only the most senior officials were allowed to wear nine dragons on their robes—and then only with the robe completely covered with surcoats.

Lower-ranking officials had eight or five dragons on their robes, again covered with surcoats; even the emperor himself wore his dragon robe with one of its nine dragons hidden from view.

The Dragon is one of the 12 animals in the Chinese zodiac which is used to designate years in the Chinese calendar. It is thought that each animal is associated with certain personality traits.

Dragon years are usually the most popular to have children. There are more people born in Dragon years than in any other animal years of the zodiac.

In this context, the Azure Dragon is associated with the East and the element of Wood. At special festivals, especially the Duanwu Festival , dragon boat races are an important part of festivities.

It is the third and final installment in The Mummy trilogy. The film received mostly negative reviews from critics.

However, the film was cancelled and Universal Pictures instead opted to release a reboot in as the first and only installment in the Dark Universe franchise.

In ancient China, a brutal and tyrannical warlord unites the country's kingdoms into an empire and becomes the Dragon Emperor.

He orders the construction of the Great Wall of China to bury and curse his dead enemies, eventually learning power over the traditional Chinese Wu Xing elements of fire, water, earth, wood and metal.

The Emperor soon grows fearful that his death will end all he has accomplished and summons Zi Yuan, a sorceress who is said to know the secret of immortality.

She seemingly casts a spell on him in Sanskrit , before he executes General Ming, his trusted friend and Zi Yuan's secret lover.

He stabs Zi Yuan with a dagger, but having foreseen this event, she immolates and imprisons the Emperor and his soldiers in clay, turning them into the Terracotta Army , and flees.

Though attacked by a mysterious woman, they succeed in bringing the coffin to Shanghai. However, they learn that Wilson works for a rogue military faction led by General Yang, who had provided the financial backing of Alex's expedition.

They open it, but it accidentally lands on the statue of the carriage driver, which is revealed to actually be the Emperor's mummified body.

He accepts Yang's service but kills Wilson and escapes, despite the O'Connells' attempt to stop him in a pursuit.

Along with Evelyn's brother Jonathan Carnahan, the O'Connells and the mysterious woman, Lin, travel to a stupa in the Himalayas that will reveal the path to Shangri-La when the Eye is placed on top of it.

With the help of Yetis summoned by Lin, the group hold off Yang's soldiers but the Emperor discovers Shangri-La's location.

Alex attempts to trigger an avalanche. The Emperor throws a sword at him, but Rick shoves Alex aside and is stabbed instead.

The group discovers that Lin is Zi Yuan's daughter, both rendered immortal due to the power of Shangri-La's waters. As Rick heals, Alex and Lin have grown attached to each other, but Lin refuses due to her immortality, unable to bear falling in love with Alex only to watch him grow old and die, just as Zi Yuan mourned for General Ming.

The Dragon Emperor and General Yang eventually arrive and attack them in Shangri-La, and the Emperor bathes in the mystical waters, which not only restores his human form and youth, but also allows him to shapeshift.

Transforming into a dragon, he kidnaps Lin and flies back to the tomb, raising his Terracota Army, and gives a speech declaring his intention to conquer the world before sending his soldiers to go past the Great Wall, after which they will be invincible.

Zi Yuan gives the dagger to the group before dying. Meanwhile, the Emperor goes into the Great Wall to use his elemental powers to negate the undead spell.

The Dragon Emperor gains the upper hand over Rick, but Rick and Alex manage to stab him in his heart with the broken dagger, killing him and defeating the Terracotta Army.

Ming's army briefly celebrates before turning into dust, and disappearing into the air to rest in peace. The O'Connells and Lin return to Shanghai, where Lin and Alex start a relationship, while Jonathan decides to move to Peru with the Eye of Shangri-La, as he wants to go somewhere with no mummies, only for credits on the screen to reveal that mummies were recently discovered there.

In November , director Stephen Sommers , who directed the previous Mummy films, said about directing a third film, "There is a demand for it, but most of the gang would only be up for it again if we could find a way to make it bigger and better.

The idea of The Emperor and his army is based on the real-life Qin emperor Qin Shi Huang , who was buried amidst thousands of crafted and fired terra cotta soldiers, called the Terracotta Army , dated at latest to BC.

Incidentally, the Terracotta Army is actually mentioned at the end of the novelization as something that will be discovered in the future, although its relation to The Emperor's army, or rather how the destroyed army made it into the site, is left unexplained.

In March , actor Oded Fehr , who played Ardeth Bay in the first two films said Sommers had told him a third film was in development and being written, with only Brendan Fraser and Rachel Weisz 's characters returning.

In January , Universal announced Sommers would not be attached to direct the third film. It was then announced that Universal entered talks with director Rob Cohen to take over directing duties.

Negotiations with the actors were in progress at that time. Additionally, John Hannah reprised his role as Jonathan. In April, Brendan Fraser re-joined the cast for the film.

The film was originally reported to be titled The Mummy 3: Curse of the Dragon. Bello commented during an interview that the new "Evy" is different from the original "Evy".

In the first two Mummy movies she was all actiony and lovely, but this Evelyn might be a little more There, the Eye of Shangri-la scenes were shot by production designer Nigel Phelps.

The team then shot on the courtyard set of gateway to Shangri-la. The courtyard was dressed with fake snow, created by effects supervisor Bruce Steinheimer's team.

Set decorator Anne Kuljian designed 20 different statue heads that were sculpted by 3D Arts team and interchanged between shots.

Meanwhile, at Mel's, the brutal battle between the Emperor and Rick was filmed, the first scene shot with Jet Li. On October 15, , the team moved to China.

At Shanghai Studios, a set depicting the city in the s was used for the chase sequence and was shot in three weeks.

General Yang's camp was filmed in a Ming village near Tian Mo. At the studio, Chinese cultural advisers aided Cohen in depicting the Qin Dynasty language and ceremonies.

The crew frequently had to halt in and near Shanghai when soldiers marched. The desert battlefield's setting was actually a training facility for the Chinese army that was leased.

Rhythm and Hues Studios designed the Yetis and dragons, while Digital Domain handled the battle scenes with the Emperor's terracotta warriors.

The pool of water resembling diamonds took Rhythm and Hues eleven months to complete. Design company Imaginary Forces created the opening title sequence and end titles.

IF designers also shot real paint splatters and brushstrokes. To portray an "accurate and historic China," they turned to calligrapher T.

Yuan for ink brush writing. Most of the film's score was composed by Randy Edelman and performed by the London Symphony Orchestra.

The soundtrack features numerous different Chinese and Middle Eastern ethnic instruments along with classic British folklore. Composer John Debney who had previously scored the music for the Mummy franchise's spin-off The Scorpion King provided additional re-scored material for most of the bigger action sequences.

The Hollywood Studio Symphony recorded 30 minutes of Debney's music in less than ten hours at the Fox Scoring Stage in July , shortly before the film's release, however, the soundtrack album features Edelman's score and none of Debney's.

Music , the latter which also plays at the end of the Harry Potter and the Order of the Phoenix trailer.

It also plays Vampire Hunters by Wojciech Kilar, which was used in the trailers of the first and second films.

The comic explores the relationship between Rick and his son Alex. The film premiered in Moscow on July 24, , and had a wide release of 3, theatres in North America on August 1, The site's critical consensus reads, "With middling CG effects and a distinct lack of fun, The Mummy: Tomb of the Dragon Emperor finds the series past its prime.

Roger Ebert of the Chicago Sun-Times gave the film a positive review, awarding it three out of four stars.

Ebert remarked, "Now why did I like this movie? It was just plain dumb fun, is why. Club stated that the film "succeeds largely through sheer excess", albeit within a context that "plods along mechanically through its first hour.

Corpier said that the film was almost as enjoyable as the original and liked the fact that it delivered what it advertised. Kenneth Turan of the Los Angeles Times said the film "has some good things [but] does not have enough of them to make the third time the charm.

The film was released on DVD on December 16, By mid, excluding Blu-ray sales and DVD rentals, it had sold over 2. After the film was released, actress Maria Bello stated that another Mummy film will "absolutely" be made, and that she had already signed on.

On April 4, , Universal announced their plans to reboot the franchise. From Wikipedia, the free encyclopedia. Theatrical release poster.

Alfred Gough Miles Millar. Release date. Running time. Main article: List of The Mummy characters. This section needs additional citations for verification.

Please help improve this article by adding citations to reliable sources.

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